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What I
find in Photoshop is that I am presented with a series of small problems
to solve when creating a work of art. Right now, for instance,
I'm working on a combination of a Sea Lion with a regal, male lion's head
pasted onto it digitally, and then I'll put in a background and bits of
scenery and so on.
I'm learning the Toolkit, and with the Toolkit a series of shortcuts,
Alt key this and Shift key that, or the 'V' letter key to pick the Move
tool, or any number of other alphabet keys and combinations. They are
tricky at first but once memorized they save a LOT of time. When working
with a brush, for example, I can hit the left or right Bracket keys to
make the brush head smaller of larger which is a lot better than switching
back and forth to little drop down menus.
The work I do is progressing much faster with these aids. Where I a focusing
my attention right now is to Artist Trading Cards. Based in shape on the
popular Sports Trading Cards these Artist Trading Cards, or ATCs for short,
are 3 1/2 high and 2 1/2 wide, or visa versa. On this small
canvas a miniature piece of art is created as a collage. Photoshop is
often about collage and the Internet is full of clip art of various sorts.
If it was created before 1923 chances are the pictures are in the public
domain and can be used freely.
This fixation on before 1923 has produced a groundswell of digital collage
artists. Some do paste up with real paper and special glues and bits of
whimsy and ephemera. Ah, ephemera! That can be anything from an old black
and white photo to actual old ads and paper material from long ago. Some
- and alas I am not one of these - can actually draw or paint art upon
the card and are thus freed from glorifying silent movie stars and the
like. I am drawn to digital paste up and that means Photoshop or Paint
Shop Pro or any one of several fractal-generating programs.
Thus, I
am working my way through various levels of learning. I have found to
my delight that there are a fairly large number of short video tutorials
that I can access on the Internet. These give me an introduction to using
the Tools and some fine points in the Settings. This helps to build pathways
in the mind, so I can see and remember that I go here to Distort or there
to Fade, and so forth.
In eBay,
from a British supplier, I bought two fully packed collections of Actions
aimed especially at Photographic work. Actions in Photoshop are a series
of machine-memorized steps that allow you to do some pretty fancy footwork
automatically. An example would be 2 Actions I created myself for eBay
listings. One would take my scan of an item such as a dress pattern front
cover and reduce it to the smaller 'thumbnail' size shown at the top of
an eBay listing and the other Action would create the properly sized larger
shot for displaying further down in the listing. Actions save time and
make you look smarter than you are <smile>
Then there are Plugins, which are more elaborate than Actions, almost
like little programs. I have one called Flood, from a company called Flaming
Pear, which I used extensively in the series of 6 Artist Trading Cards
on the theme of 'Bathing Beauties'. The Flood plugin allowed me to add
a convincing layer of water at the feet of my aquatic beauty with a realistic
reflection to boot. Some of the ladies in these Artist Trading Card 'Bathing
Beauties' swap were rather prim, pre-1923 semi-nudes.
When someone,
like the publishing house Dover, pulls together a collection of public
domain clip art the collection is copyright but individual items, as many
as 10, can be used in a single, composite work of art. I know you really
wanted to hear that <smile>
I should
mention that the Cards I'm rattling on about are produced with the intention
of trading them with other card makers in a series of Swaps. Typically,
this could be a named theme (some are do as you like) where a fixed number
of cards are sent in before a deadline date. In due course 6 cards, each
by a different artist, will come in the mail and are added to an ever
expanding Collection. This trading is global in nature and the artist
of one may be in Kansas and of another in Australia or even France. Trades
are usually organized in Internet messaging Forums. I keep my cards thus
received in 9 card plastic binder pages or in individual sleeves which
are widely available since they are used by the Sports Trading Card bunch.
I've been mounting my completed Cards on the web at http://www.flickr.com/photos/soniabrock/
which is a good graphics hosting site. ATCs are a niche group and there
are a multitude of such special interest groups on Flickr.
I print out these cards, still at 2 1/2 by 3 1/2 inches, but
at a higher resolution of 300 dpi (dots per inch) on glossy 8" x
10", photo card stock. I get, therefore, 9 cards to a page and cut
these up carefully with scissors afterwards for post processing, adding
a few baubles and beads, bits of lace or trim, and other suitably flat,
lightweight paste up ornamentation. This makes them more tactilely interesting,more
appealing to the paste up crowd. In paste up ,ATCs are close in technique
to the current Scrapbooking and Cardmaking hobbies. Digital Artist Trading
Cards are closer to computer graphics and photo enhancing.
When I'm working on a specific theme for a group swap, such as 'The Arrival
of Spring' or St. Patrick's Day or whatever, it focuses my mind more tightly
and I produce more. I'm starting now to work on personal themes. My current
works in that area illustrate folk songs such as Tom Dooley
or the playing card sung about in the ditty Jack of Diamonds
(Podcast includes some sung lines). You have to figure out how to best
capture the idea visually from all the various bits and pieces that make
up the completed canvas. On the web what you often see is a small picture
or thumbnail, which you click on to see a larger picture. The placement
of the various objects in the card are such that even when seen in the
small form, it attracts the eye in and makes you want to see more. This
element of composition is another interesting problem.
I've almost stopped on line war gaming. Oh, I drop in every now and then
to keep my account active but for the most part I no longer play there
because I'm too busy learning and using Photoshop.
Another thing I'm busy with is collecting the various artistic bits and
pieces. This is done either through purchase or on some wonderful sites
that have collections of public domain ephemera. There's a great group
on Flickr that does this. <http://www.flickr.com/groups/collageimages/>
I'm just building a library of images, so chances are, whatever it is
I have to do, I can reach into this digital library and retrieve something
relevant. Then again, each new challenge asks for different things. I
never thought I'd need a sea lion, for instance, or a Confederate Army
uniform for 'Tom Dooley'.
In other
words, I've got myself a brand new hobby for as long as it lasts. I hope
it lasts a while because it's really interesting. I'm a little old, right
now, for it to turn into a job This what usually happens with my hobbies
but one never knows........
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